DESCRIPTION: Journey back in time with an exclusive behind-the-scenes look at one of Hollywood's greatest gambles. In 1984, MGM was on the brink, placing its bets on a high-stakes sci-fi epic that would either cement its legacy or mark its demise. The film? 2010: The Year We Make Contact - a daring sequel to the legendary 2001: A Space Odyssey.

The man chosen to chronicle its creation? John Huckert, a fresh face in the industry, handpicked by the Academy of Motion Picture Arts & Sciences and the American Film Institute for a prestigious Directing Internship.

All These Worlds Are Yours isn't just a book; it's a time capsule. Huckert's meticulously kept journal from the film's 71-day shoot is a treasure trove of Hollywood history, revealing the intricate dance between creativity and chaos that defines big-budget filmmaking. This isn't just a recount of production; it's an unfiltered, uncensored look at the magic and mayhem behind one of Hollywood's most ambitious projects.

For the first time, Huckert's Official Internship Report is paired with his raw, personal 1984 journal entries, creating a dual narrative that bridges the dreams of a young filmmaker with the seasoned reflections of a 40+ year career. Readers are invited into the very heart of Hollywood, experiencing not just the technical challenges but also the human stories that shaped the film.

All These Worlds Are Yours is more than just a making-of story. It's a tale of dreams pursued and altered, of career goals set and reshaped by the unpredictable currents of the film industry. Huckert's witty, candid prose offers a rare insider's perspective, sprinkled with juicy anecdotes and revealing insights about the Hollywood elite of the time. It's a captivating ride through a world where ambition and artistry collide, often with unpredictable results.

Whether you're a die-hard fan of 2010: The Year We Make Contact, a lover of Hollywood history, or simply curious about the art of filmmaking, All These Worlds Are Yours is a must-read. It's a vivid, emotional, and often humorous journey into the world of moviemaking—through the eyes of a young filmmaker who dared to dream big.